Presonus Studio One 4 Templates

When composing to picture, I’ll usually reach for Logic Pro or Cubase. However, for projects that don’t require advanced tempo and video features – such as hybrid trailer music and production music – I’ll often choose Studio One.‍

Thanks for making a BBCSO template for Studio One Pro 4 users. Which is the DAW I use, but I haven't yet purchased BBCSO. I'm still undecided if I need the BBCSO Pro version, or if the BBCSO Core version would be sufficient. Since I have many other Orchestral Sample libraries, including Spitfire's Symphonic Orchestra.
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Whisper Pro Template Created in Studio One 4.5 Pro Template is a series of DAW templates which Add to Compare Add to cart Add to Wishlist Quick Shop Add to Wishlist.
Pierregauthier wroteHow can i removed a song template from the user section on the start page, creating a new song user folder. On my Mac I just right click the template and follow it to where studio one 3 stores all my user created templates. I just delete the ones I don't want or need anymore.

As there are many working styles, there are many approaches to creating templates. This month I will take a look at one of my band recording templates and focus on the thinking behind its configuration. I’ll also share a few tricks particular to Studio One’s abilities. All Submixed Up. Screen 1: Band mixing template.

Studio One’s unique workflow makes extensive use of a ‘drag-and-drop’ approach, which I find a very intuitive way to get creative juices flowing quickly and conducive to building a track as I go, rather than starting from a pre-built template.

However, for those who often deal with large orchestral projects and the complexity they entail, templates can be a huge timesaver and workflow booster.

So is it possible, or sensible, to build large orchestral templates in Studio One?

Recent updates to Studio One have introduced welcome features such as the ability to disable/enable tracks to save RAM and CPU, basic key-switching implementation, and track search and visibility options.

After much experimentation, I’ve settled on using Instrument Presets. They’re a standard feature in most DAWs, but Studio One’s straightforward approach, which, when combined with the drag-and-drop workflow and Bus Folders (I’ll explain more about those later), is quite a revelation.

How to save an Instrument Preset in Studio One

Open up any active virtual instrument in Studio One, and you’ll see what looks like a small document icon at the top left of the window.

Click on the icon, and the first two options in the drop-down list are:

Store Preset – this will save the instrument preset.
Store Instrument & FX Preset – this will save the instrument preset, plus inserts and key-switch maps that are assigned to the track.

Select your preferred format, then fill in the preset name. You can also add a description and create or choose a folder to save the preset in.

The different preset types can be identified by their icon. Regular presets are represented by a dark grey circle, Instrument & FX presets by a white link symbol.

How to load an Instrument Preset in Studio One

To load a preset, open up the instruments tab in the browser and locate the appropriate virtual instrument. Virtual instruments with presets will have a small disclosure triangle to the left of their icon.

Click on the triangle to view all available presets, then simply drag your preferred preset into the song window.

Alternatively, use the ‘Search’ key command, or click on the magnifying icon at the browser’s top right to search for a preset by name.

The beauty of instrument presets in Studio One compared to other DAWs is that you can drag and drop multiple presets – even from different virtual instruments – into your project simultaneously.

This means that as long as you keep your presets well organised (some tips to follow), you can quickly add individual orchestral instruments, entire sections, or even a complete ‘template’ all in one quick drag-and-drop gesture.

Templates, Preset Organisation and Workflow

There are a few things I’d recommend you do to make the most of the Instrument Preset system.

Create a Routing Template with Bus Folders

Build a basic template with all of your routing, such as bus folders, sends, etc., set up and ready to go.

To create a Bus Folder:

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Create a folder track, Track > Add Folder Track, or by using your key command.
In the track inspector, select the drop-down list next to Channel and choose an existing bus or Add Bus Channel.
In Preferences > Advanced > Editing, make sure Apply folder track color to content is checked.

When you drag a preset into a folder, it will automatically be routed to the appropriate bus and coloured—a huge time saver.

Use the ‘Track Names to Channels’ Command

Set up a key command, or create a button in the macro toolbar to trigger the ‘Apply Track Names to Channels’ command. This will rename the fader channels in the Mixconsole to the preset name.

Organise your Virtual Instruments into Folders

I prefer to place my VI’s into folders defined by category. To create custom folders, make sure the Instruments tab is set to sort by Folder. Right-click inside the Instruments tab and select New Folder, then give it a name.

I numerically prefix my folders to keep them in order of my choosing; otherwise, they are automatically sorted by name.

Manually Organise your Presets into Folders

When you save a preset, there is a text field in the pop-up dialogue to create a folder for it to reside in. I find this approach very clunky as if you want to add a new preset to an existing folder. You have to remember the exact name and type the name manually – as there is no option to choose a folder you created previously.

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To overcome this, I simply save every preset to the top level of the default preset folder, found in your Studio One directory Studio One/Presets/Instrument Ve

Studio One 4 Templates